The livestream of this even can be found on YouTube here.
You can leave feedback about this panel at this link.
Remote production is a popular option for many indie audio creators who want to expand their potential talent pool, work with international actors, manage limited resources, or improve accessibility for performers with disabilities. In the age of social distancing, even more creators are considering producing remotely. This panel will discuss the benefits and pitfalls of such a practice as well as strategies for managing the challenges remote production presents, including directing actors and addressing disparate recording conditions.
This panel will be live-streamed on YouTube with live closed captioning and an ASL interpreter. A link to the stream will be made available on the day of the event.
Erin Kyan
Love and Luck, Supernatural Sexuality with Dr Seabrooke, Nym’s Nebulous Notions (Passer Vulpes Productions)
Erin Kyan is a cheerful force of nature with a zest for art and efficiency. Queer, trans, fat and disabled, all these facets of his experience inform his work and drive him to build a world and artistic practise that’s kind, intersectional, and accessible.
Erin fell into podcasting in 2016 when he decided to try his hand at audio drama, and he fell in love with the many parts of production and the medium itself. With no one to stop him, he is now on a quest to build a strong foundation for the fiction podcast industry in Australia, one based on community and inclusion rather than competition.
Cole Burkhardt
Null/Void
Cole Burkhardt currently resides in Washington D.C and has tried everything from streaming tabletop games on Twitch to spelunking deep underground. He has been in a variety of podcasts including Godshead Incidental and Unplaced and is the writer and director of Null/Void. When he’s not voice acting or editing audio, he’s going to conventions across the East Coast, discussing gender and sexuality in video games and anime.
D.J. Sylvis
Moonbase Theta, Out
D.J. is the head writer / producer for Monkeyman Productions and creator of Moonbase Theta, Out. Where do D.J.’s ideas come from? D.J. is inspired by monkeys, robots, cats, the Creature from the Black Lagoon, Bigfoot, that theme song from The Greatest American Hero, Arthur Kopit, 80s-era Justice League comics, various dystopias from his childhood (including Bible School), Lego spacemen, Alfred Hitchcock Presents (mostly the host segments), potato chips, Young’s Double Chocolate Stout, yellowed sci-fi paperbacks, friends, enemies, strangers in the night … and all things strange and wonderful in this world.
James Oliva
The Landwhale Murders, What’s the Frequency?
James Oliva is writer, podcast creator and voice actor. Known as the writer, director and creator of the experimental psychedelic noir podcast What’s The Frequency?. His voice has appeared in many audio fiction podcasts over the past five years, most notably Greater Boston, Tides, The Pilgrimage Saga and Minefire. In addition to all this James is highly regarded as a maverick artist, director who is known as an “actor whisperer” and a once in a lifetime voice of a generation capable of voicing multiple generations at a time. James is currently directing the upcoming historical fiction satire The Land Whale Murders.
Alexander Danner
Greater Boston
Alexander Danner is a writer and sound designer; he is co-creator of Greater Boston and sound designer on What’s the Frequency? He is also a member of the sound design team for Unwell: A Midwestern Gothic Mystery. He has contributed as a guest writer and/or sound designer to arsParadoxica, Startripper!!, and Our Fair City. He plays The Narrator on Greater Boston and Krog on What’s the Frequency?, and has appeared as a guest in many indie audio dramas, including The Infinite Now, Mars’ Best Brisket, Alba Salix and others.